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HOT launches Israel’s first fashion channel

Posted on:
March 27, 2012
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Programs will give viewers behind-the-scenes glimpse into Israeli fashion industry

Israel’s first fashion channel, dedicated exclusively to Israeli fashion has started airing on HOT.

The channel will offer viewers programs featuring Israeli designers, stylists and celebrities discussing all the latest trends in Israeli fashion and giving a behind-the-scenes glimpse into the local fashion industry.

Viewers will also be introduced to the lives of renowned fashion designers and senior executives as well as young and up-and-coming designers making their first steps in the glamorous but brutal business.

The channel will be broadcast free on HOT and its programs will also be accessible on Xnet, Yedioth Ahronoth’s lifestyle site.

Source: Ynetnews.com

VIDEO: Israeli Actor/Model Oz Zehavi’s ‘Southland’ debut

Posted on:
March 15, 2012
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Last night  was exciting for actor Oz Zehavi. He had his American prime-time-TV-debut  in ‘Southland’ playing Eric Hanson, while walking the runaway for Renuar fashion brand in Tel Aviv

Source: AbbaNibi.com

Showtime Announces Fall Premiere Dates for “Dexter” and “Homeland”

Posted on:
March 13, 2012
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LOS ANGELES, CA – (March 12, 2012) SHOWTIME has put together a powerful one-two punch on Sundays this fall with the premieres of its top-rated drama series’ DEXTER and Homeland. On Sunday, September 30th, DEXTER will make its seventh season premiere at 9:00 PM ET/PT, followed by the highly-anticipated second season of the Golden Globe®-winning drama series Homeland at 10:00 PM ET/PT. The announcement was made today by David Nevins, President of Entertainment, Showtime Networks Inc.

Homeland ranks as the network’s highest-rated freshman drama series ever, and was recently awarded the Golden Globe for Best Television Drama, as well as being named one of AFI’s Top Ten Television Programs of 2011.  The series averaged 4.4 million weekly viewers across platforms in its first season, and its season one finale was the highest-rated finale for a freshman series in SHOWTIME history, with five million viewers across platforms. The network’s No. 1 rated series, DEXTER averaged 5.5 million weekly viewers across platforms in its sixth season, its highest rated ever.  Both series will begin production this spring. Homeland will shoot on location in Israel and in North Carolina, and DEXTER will continue to shoot in Los Angeles.

Homeland is a one-hour drama series that tells the story of Carrie Mathison (Golden Globe winner Claire Danes), a CIA officer dealing with bi-polar disorder, who becomes convinced that the intelligence that led to the rescue of Nicholas Brody (Golden Globe nominee Damian Lewis), a U.S. soldier who had been missing and presumed dead for eight years, was a setup and may be connected to an Al-Qaeda plot to be carried out on American soil.  The series also stars Morena Baccarin, David Harewood, Diego Klattenhoff, David Marciano, Navid Negahban, Jamey Sheridan, Morgan Saylor, Jackson Pace and Mandy Patinkin.Homeland is based on the original Israeli series “Prisoners of War,” by Gideon Raff, developed for American television by Howard Gordon  & Alex Gansa. Along with Gordon, Gansa and Raff, the executive producers for season one are Avi Nir, Ran Telem and  Michael Cuesta. The series is produced by FOX 21.

One of the most acclaimed shows on television, DEXTER stars Michael C. Hall, who has earned multiple Emmy® nominations as well as a Golden Globe award for his role as a complicated and conflicted blood-spatter expert for the Miami police department who moonlights as a serial killer.  The show has received multiple Emmyand Golden Globenominations for best television drama series, as well as a prestigious Peabody Award in 2008, and was twice named one of AFI’s Top Ten television series.  The series also stars Jennifer Carpenter, Desmond Harrington, C.S. Lee, Lauren Vélez, David Zayas and James Remar. John Goldwyn, Sara Colleton, Scott Buck, Manny Coto, Tim Schlattmann, Wendy West and Michael C. Hall are the executive producers of the series for season seven.

Source: TVPressFeed.com

Homeland’s debt to Israeli TV

Posted on:
February 25, 2012
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Channel 4’s latest US hit is based on one of the many TV success stories produced by Israel. Would you watch both?

Last Sunday Homeland debuted on Channel 4, attracting overnight ratings figures of more than 2 million and a clutch of impressive reviews. Much has been written about the latest US import, a labyrinthine terrorism drama from the writers of 24. But while you will have read all about Homeland’s awards haul and Claire Danes’ triumphant return to the small screen, that the show is based on an Israeli series called Hatufim (Prisoners of War) has been less well reported.

Now UK audiences will be able to judge for themselves just how good the Israeli original is when it comes to Sky Arts in May. The series will follow hot on the heels of another Israeli drama In Treatment (BeTipul), the original Hebrew version of the hit HBO series of the same name, which gets underway on Sky Arts on Monday.

Hatufim and BeTipul are Israeli TV’s big international success stories – but they’re far from the only Israeli shows finding an international audience either in their original form or as an English language remake. There are a slew of Israeli shows being adapted by major US networks including sitcoms such as Life Isn’t Everything, police procedurals in the form of HBO’s The Naked Truth and the much-touted NBC murder-mystery Pillars of Smoke, while in Britain, David Mitchell’s topical quiz show The Bubble was adapted from an Israeli idea.

It’s part of the unlikely rise of Israeli television; an industry that only got its first commercial channel in 1993. “Israeli dramas are very much driven by auteurs, by people who have their own unique story and own unique voice to tell it,” says Avi Nir chief executive of Keshet Broadcasting, the programme makers behind Hatufim. “They provide an antidote to American television, which is usually more commercial … It’s a different way of making a show. Hollywood is much more of an industry, but in Israel our shows are slowly, carefully and originally tailor made.”

The shoestring budgets that Israeli programme makers work with have also played their part in this surge of creativity. Hatufim for example, was shot for $200,000 an episode, a fraction of the budget its US counterpart. The result is that Israeli producers put a stronger emphasis on storytelling, while financial constraints have seen programme makers work in more creative ways. The effects can be seen in the stripped-back settings of shows such as In Treatment, which like police procedural The Naked Truth, stages almost all of its action in a solitary room.

While fuelling creativity, the lack of financial investment has also taken away an element of risk. Without massive financial outlay there is arguably more freedom for writers to experiment with what is conventionally expected from small screen dramas.

At its heart however, the boom in Israeli broadcasting comes down to the quality of the programmes that are being produced. Lucy Criddle, the Sky Arts acquisitions manager, says: “It wasn’t our intention that we were looking at Israeli drama, it was really that the quality of the drama stood out for us. We watched BeTipul and Hatufim and we just loved them. They’re both powerful pieces that are utterly compelling and most importantly they’re high quality TV.”

It has been difficult to miss the recent boom in Scandinavian drama on British screens – but it appears that Denmark may not have cornered the market in classy subtitled imports. BeTipul in particular will offer a strange viewing experience for fans of In Treatment. Unlike Hatufim, which was more of an inspiration for Homeland, the HBO drama is an almost like-for-like remake of the Israeli original. As a result it’s impossible to watch either show without comparing and contrasting it with the other.

With the rise of foreign language remakes and imports, watching a show twice is a phenomenon that is becoming increasingly common – and at times original shows can end up overshadowed by a strange sense of deja vu when watched after their English language remakes. But what’s striking about these Israeli series is the quality of the storytelling which has translated seamlessly from original to adaptation. For viewers that means they are essential companion pieces – testament to the quality of programming that the country is currently producing.

Source: The Guardian

CBS picks up Israeli show “Three”

Posted on:
February 15, 2012
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CBS has ordered production for Israeli TV reality-documentary series “Three” fromMagical Elves production & development company (Top Chef, Braxton Family Values), who has acquired the format from Israel Channel 2′s Keshet Broadcasting, where the original show aired last fall. The deal was reportedly made possible with the help of Rick Rosen, Head of Television Department at WME Entertainment.

The show, which garnered stellar ratings in Israel, was hosted by popular TV personality Assi Azar and followed three women in different stages in their lives, looking for love. The show started off with the ladies auditioning men for dates and eventually followed them around as they picked the one man they want to seriously go out with. The original show featured a young 20 something girl, a worldly model who returned to Israel in hopes of settling down and an army widow, mother of one, looking to start a new chapter.

Israeli media outlets report that the upcoming project by Keshet, who is behind last year’s Golden Globe winning adaptation of Showtime’s “Homeland”, is the sixth format the TV franchiser has sold in the US, this time in a joint bid with local production company Kastina. Keshet CEO Avi Nir has confirmed the news and issued a statement thanking the entire crew behind “Three” for taking part in its now international success.

“Three” ended in November but returned to the headlines just last month. Gilad Fridlanski, who appeared on the show as the guy dating one of the girls, has tragically committed suicide, with his close relatives saying he was not himself in his last weeks of living and showed alarming signs of depression. The sad news evoked speculations that his instant fame from the show caught up with him and that Fridlanski just couldn’t handle it at the aftermath of the show ending.

No comment on the future production has been made available thus far by CBS. In the meantime here is the original Israeli Hebrew trailer.

Source: Abbanibi.com

From TLV to LAX Oz Zehavi takes over Hollywood

Posted on:
February 14, 2012
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After the news of him being cast to guest star on the TNT cop drama ‘Southland’ due to some successful meetings and auditions back around Hanukkah, Oz Zehavi is packing up and going for a 2 month stay in Los Angeles for further meetings and several more auditions. He will stay in LA until the end of April, and will also spend Passover away from his family.

“It is a perfect window of opportunity for Oz,” a source close to the heartthrob told Israeli website Walla. “He doesn’t want to miss it, and these things are impossible to run as a telecommute.”

Also it was reported that while he’s staying in LA, Oz plans to sublet his Tel Aviv apartment, and we’re pretty sure there are a lot of female fans in Israel who are fighting over it.

Zehavi,29, an actor and model from Rishon Le’Zion, started as a television host on a teen show on Channel 2, and earned his fame in 2007 when he starred in the successful Israeli teen drama ‘The Island.’ Since then he took part in 4 Festigal shows, modeled for one of the strongest fashion brands in Israel, ‘Renuar,’ and starred in 2 successful adult dramas, ‘Asfur’ and ‘Haim Acherim’ (‘Another Life’). Zehavi was chosen in 2010 as the hottest Israeli celebrity by Pnai Plus magazine (the Israeli equivalent to ‘Entertainmnet Weekly’).

Source: Abbanibi.com